Bill Monroe’s “Jenny Lynn” keeps us in Childers’s home state of Kentucky, as does is “Sludge River Stomp.” Decidedly more somber than most “river stomps,” the tune can’t help but make one think about the most significant meaning of “sludge” in Appalachia today: coal slurry. A very nearsighted Confederate general was duped by poor weather and rode right into Union troops, mistaking them for his own. Vote Now! That little-remembered century—1600 to 1700—that began with the founding (and foundering) of the first permanent English settlement in America, the one called Jamestown, whose endemic perils portended failure for the dream of a New World. Your email address will not be published. The Shakespeare Wars: Clashing Scholars, Public Fiascoes, Palace Coups, How the End Begins: The Road to a Nuclear World War III, Explaining Hitler: The Search for the Origins of His Evil, The Pitfalls and Promise of America's Founding Myths, The Once-Classified Tale of Juanita Moody: The Woman Who Helped Avert a Nuclear War. The history of sports protests goes deep. Thanks for putting together this great assembly of master musicians and letting them mix it... President Joe Biden reverses Trump architecture executive order. Get the best of Smithsonian magazine by email. He’d originally “planned to package it as an old-time fiddle album and let the [last] piece make its statement on its own, taking the listener by surprise at the end.” With notes written by North Carolina old-time songster Dom Flemons, Long Violent History sidesteps music biz and music journalism bullshit in order to examine the assumptions made by the community of historical-authenticity geeks whose work has inspired the traditionalism of such commercial artists as Childers. Wanted to add that my composition "Sensorium", referenced above in Rabson's discography,... Good catch! Been passed off as factual, when actually the actual I said it was a blur. (The process is echoed in the tune “Long Violent History,” with its use of a motif from Stephen Foster’s “Old Kentucky Home.”) Also, note “Sludge River Stomp”’s nod to the “stomp” genre of Black Americans Fletcher Henderson, Rex Stewart, Coleman Hawkins, and Count Basie. He said, ‘The stink’ [of heaps of dead bodies] was too much.”. The Proud Boys Are Part of America's Long History of Vigilante Violence. No, that’s not right, is it? How to use violent in a sentence. Synonyms: bang-bang, blood-and-guts, convulsive… Antonyms: nonviolent, peaceable, peaceful… But, because the link between the shirt and the wife beater name has become solidified over the past 20 years or so, the layers of meaning behind the words wife beater—both mocking and literal—are lost on a lot of people. Film Commentary: What If a Man Insinuates That a Woman Is NOT Attractive? Variety is wrong and cowardly to give in to Cary Mullig... Nice writing about a wonderful & important musician! The modern resonance of these stories offer us “ways to preserve our heritage” that free us from our prisons of chauvinism or hubris … if only we learn how to properly identify friend and foe. Learn what constitutes violent crimes. Give a Gift. And in Print? His website is www.jeremyrayjewell.com. When the SA leadership threatened Hitler’s plans for the future of the Nazi Party, he had them murdered in a ‘Blood Purge’ known as the Night of the Long … The statistics suggest that this may be the most peaceable time in our species’s existence. Our William Bradford. This fidelity to his people explains why Childers chooses songs inspired by the Civil War. The same old clowns are in control, and the irony is that Childers’s “white rural listeners” have been victims in this circus: “It’s called me belligеrent, it’s took me for ignorant” and yet, “it ain’t never once made me scared just to be.” Can we empathize with that? Explaining his album "Long Violent History" and this title song, Tyler Childers said in this video message, "What if we were to constantly open up our daily paper and see a headline like 'East Kentucky Man Shot Seven Times on a Fishing Trip?' |. Both songs compel listeners to look at “Confederate” history through a more complex lens than one-sided heroism. James Furlong, David Wails, and Joseph Ritchie … The gratitude is all mine! And yet somehow amid the merciless massacres were elements that gave birth to the rudiments of civilization—or in Bailyn’s evocative phrase, the fragile “integument of civility”—that would evolve 100 years later into a virtual Renaissance culture, a bustling string of self-governing, self-sufficient, defiantly expansionist colonies alive with an increasingly sophisticated and literate political and intellectual culture that would coalesce into the rationale for the birth of American independence.
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